THE GOVERNESS

A photographic collection by Serani

Starring Anca Dedu

ABOUT

In this cinematic studio series, Serani traces a woman's quiet evolution from obedience to realisation. Deference begins to unravel as the authority she once trusted proves hollow. By the final image, anticipation transforms into inner authority once illusion collapses.

Studio Model: Anca Dedu

ARTIST BIOGRAPHY

Serani is an award-winning photographer and filmmaker, and the Creative Principal of Serani Studio in Europe. Her photography work bridges cinema and still image, bringing a narrative intensity to experimental photography. Rather than pursuing technical perfection, she embraces a cinematic approach: dramatic lighting, costumes, and makeup that transform her models into characters inhabiting metaphorical worlds.

The Governess embodies Serani's spirit of experimentation. Shot on an old Canon 700D with improvised studio gear, the collection reflects her love for playing with light and her fascination with resilience and identity.

Serani’s images are unapologetically bold and theatrical, rooted in her background as a filmmaker. She continues to develop her practice in the studio, driven by the same impulse that fuels her filmmaking — to create images that are cinematic in scale and charged with story, evoking entire worlds in a single frame.

"This series was created in the aftermath of prolonged psychological stress, during a period when survival slowly gave way to clarity.

The figure presented is not a character, but a state of being: a woman positioned into deference, responsibility, and emotional labour, while her nervous system quietly collapses. Gestures of submission, anticipation, and hesitation unfold across images. Hers are learned responses to an authority that demanded compliance while offering no authentic leadership in return.

As the sequence progresses, illusion erodes. What remains is not rage, but recognition: the shock of seeing weakness where authority was presumed, manipulation where protection was promised, and cowardice beneath performance. The work traces the internal pivot from accommodation to self-trust, from imposed duty to reclaimed agency.

This series is a study of how women are conditioned to carry what is not theirs, and how, once the illusion collapses, deference can be transformed into inner authority."

ARTIST STATEMENT